The McCartneys cont...
‘Hey Paul, we’re just having
a really good chat,’ said Linda.
‘Right, but we’ve really got
to go. Have you finished your interview?’
‘Well, no,’ I said, feeling
short-changed. I’d been promised over thirty minutes, plus I’d been hanging
around for days waiting to do this. Just because I got a bit lost didn’t mean I
should be penalised. This ain’t on son, this ain’t on at all.
‘Could I ask just a couple
more things?’ I said gingerly. Shit, I was alone in a room with Paul and Linda
McCartney and they were talking about me.
Okay, but if you could wrap
it up as soon as you can,’ said Paul
Linda looked at me and
smiled.
Right, er, if you weren't married now, what would…
‘I'd be living out in Arizona just
taking pictures.’ Lovely Linda.
‘Anyway,’ said Paul, ‘we are married and that's the way we intend to stay.’
The spell had been broken.
Paul paced up and down and occasionally interrupted to hurry things along. I really wanted him to piss off. I’d just
scratched the surface with Linda and this could have been the best ever.
Then Linda said something so
magical it took my breath away.
‘Maybe we could continue the
interview back at the house.’
The house!
Yes! The three of us would
pile into his Mini, the one with the black windows, and drive over to St-
John’s Wood to the house I’d been reading about all my life. The one just
around the corner from Abbey Road Studios, the one where he wrote ‘Paperback
Writer’ and ‘Yesterday’ and ‘Lady Madonna’. Where he slept with Jane Asher and
entertained Mick Jagger.
Paul McCartney’s house.
And Linda would maybe knock
up a meal in the kitchen, something healthy like alfalfa beans, and we’d open a
bottle of wine and talk late into the night and Paul would tell me his secrets
and fears and dreams and finally explain to me the true meaning of life.
‘No,’ said Paul. ‘That’s out
of the question.’
What are the worst words
you’ve ever heard? ‘I’m sorry but I don’t love you anymore’? ‘You’ve failed
every exam’? ‘The dog’s dead’? ‘Oh − have you come already?’
Sorry, they aren’t even
close to what I felt when Paul said, ‘No. That’s out of the question.’
At that moment I would have
traded my mum’s life for the opportunity of going to Paul McCartney’s house.
‘No. That’s out of the question’.
Didn’t he realise what he
meant to me? What he did for me? How I could never thank him enough for simply
existing?
I wish I could’ve said
something glib − ‘Don’t beat about the bush Paul − do you want me to come or
not?’ But all I could muster was a feeble, ‘Okay, I think I’m just about
finished. I’m sorry I was so late and I’m really sorry about the Coke.’
‘Don’t worry,’ said
Paul.
‘No, it was my fault.’
As we walked down the stairs
I was overcome by shyness. He said something to me but I didn’t know what.
The three of us went out of the building together. I tried to talk to
him, tried to penetrate that force field I’d erected between us. I crazily
expected Paul to know me like I knew him and the fact that he didn’t was, I
concluded, totally his fault.
A polite goodbye and I watched them climb into the Mini with the black
windows. Linda waved.
I tried to imagine their conversation.
‘Paul, how could you be such a bastard? That guy was about the best
journalist I’d ever met and I sensed he was gonna write a great article about
me. And you went and ruined it.’
‘I’m sorry Linda, I didn’t know. Shall we turn back?’
‘Oh, it’s too late now.’
But it was probably more along the lines of:
‘He didn’t seem like a bad guy. A bit stupid though. How could someone
get lost like that?’
‘Right. And fancy you asking
him back. He’d have knocked over the Ming vase and then got lost on his way to
the toilet.’ And then they’d have laughed and driven back into the dreamland.
I was angry because I felt
cheated. Meeting Paul McCartney should’ve been deeply significant. But, like
making love for the first time, it was a complete disaster. And, of course, in
my eyes he alone was to blame.
My Record Mirror article ended:
‘You've got enough, haven't you?’
says Paul, obviously anxious to be rid of me once and for all.
Yes,’ I
reply − meekly I'm ashamed to say. And they
left. The interview lasted twenty minutes.I always liked John Lennon better anyway.
Wonder if Yoko fancies a chat?
It was like losing a lover,
a brother, a mum, a dad, a son, a daughter. The Record Mirror article was written by
someone I didn’t know. Someone still clawing his way out of bombsite ‘77,
covered with the dust of fallen stars. Someone who felt a little cheated
because ‘78 was just another ‘76 without Barry Biggs. Someone who still sneered
behind his beard at the ugly-bug ball. Someone jealous of an NME writer because they got all the
glory. Someone jealous of Paul McCartney for being rich and talented. Someone
with a grudge against everyone. Someone. But not me.
Of all the graffiti splashed
on the whitewashed walls of my soul by vindictive ghosts, ‘Barry Cain is a
complete bastard, PM’ hurts the most.
But it was the demon inside
guv.
It
wasn’t cool to dig Wings and I went along with the cool cats. I couldn’t be
arsed to write nice when it was easier and more fun to write bad. I lied to
myself by distorting my dreams.
I
quit Record Mirror soon afterwards.
I
never met Paul again and I shed a tear when Linda died. She was a sweetheart
and would no doubt still have been married to Paul to this day.
The Beatles inspired me like
nobody else before or since, but I lost them when they split. George was only
good for one album, his debut triple epic All Things Must Pass. John
produced two classic albums – John Lennon and the Plastic Ono Band and Imagine.
Mind Games was an intense disappointment and, apart from the Rock ’n’
roll album he did nothing else of real note. The last, Double Fantasy,
was awful. Ringo? Ringo joked about with photographs, sixteen year-olds with
lips like strawberry wine and sentimental journeys.
Paul released two truly
great albums and three or four good ones. Maybe he still does. I stopped
listening to his music fifteen years ago. Mind you, I haven’t listened to much
else in fifteen years so who am I to judge? I’ve taken an extended vacation
from my house of music, returning, now and again, to collect the post and make
sure the pipes haven’t burst.
I
always regarded Paul as the most beautiful Beatle, which was
why I went for John with his hook nose and pounding hips. Paul sang the
prettiest Beatles songs and yet ‘I’m Down’, ‘She’s A Woman’ and ‘Oh Darlin’’
revealed an achy-breaky vocal that gave my heart a hard-on.
So, I take my hat off to you
Sir Paul. You came in through the bathroom window and stole the show. I’d like
to have written that back in March 1978 when the world was not enough.
Now back to the future − or,
rather, forward to the past where the Intro still lurks.
©
Barry Cain 2013
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